Gapuwiyak Culture and Arts is a remote art centre in East Arnhem Land, owned and governed by its Yolŋu members. With a Yolŋu Board and dedicated staff, the Centre supports more than one hundred artists from Gapuwiyak and surrounding homelands.
Gapuwiyak is home to eighteen interconnected clans, each with their own estates, songs, patterns and designs. This deep cultural knowledge underpins the work produced at the Centre.
We support artists at every stage of their practice—from collecting and preparing materials to developing skills, creating high-quality work, and presenting it to wider audiences through exhibitions and sales.
The Centre also welcomes visitors through tourism and cultural programs, offering a place to connect, learn and experience Yolŋu culture firsthand over a coffee in a relaxed and welcoming environment.

Clan: Wanapuyngu
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and jungle vine, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
Lucy Wanapuyngu included a skirt form inspired from her work in wearable art as well as some of her signature ‘jelly bean’ style baskets with innovative use of new colours.

Language: Dhuwal Ḏäṯiwuy
Clan: Ḏäṯiwuy
Homeland: Rorruwuy
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and bush cane, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
‘I have made many things from pandanus. With this art work, I started making a basket but I kept going. I was thinking about the hollow logs ‘Larrakitj’ we used for funeral ceremonies. I just kept going with pandanus and the colours until I was happy with it.’
– Dorothy Warrgarrkng Ganambarr

Language: Ganalbingu
Clan: Malibirr
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and bush cane, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
Julieanne Gitjpulu Malibirr has been working on large rectangular pieces inspired by her work on Country to Couture runways, and included some baskets made of split dharwir (bush cane).

Langugae: Liya-dhälinymirr Djambarrpuyŋu
Clan: Guyula
Homeland: Marrapay
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and bush cane, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
Julie Bukandjarri wanted to make a big mat.

Langugae: Djambarrpuyngu
Clan: Guyula
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and bush cane, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
Kathy Ninyapuya made her Dolly Dolly’s, this is what she always makes.

Language: Djambarrpuyŋu
Clan: Guyula
Country: Mäpuru
Laŋarra Bush Gallery 2024
Gapuwiyak artists presented works that showcased their extraordinary colour palette—from the subtle variations of natural materials to bold, contrasting bands achieved through dye baths. They worked with fibres including pandanus, kurrajong, and bush cane, combining traditional weaving techniques with innovative patterns. The artists created pieces that reflected both cultural continuity and individual expression.
Roslyn Malngumba made ribbed dilly bags and a mat using a new technique that involved wrapping pandanus.